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Shaving
Spring 2026
Quinn Thomas (he/him)
oil and acrylic on canvas

This body of work focuses on my relationship with my body as a
transgender man, as well as my body’s history- it is an autobiography of
sorts. Throughout my youth, I often felt out of place amongst other girls.
My teen years were marked by struggles with depression, anxiety, and
gender dysphoria. Though I changed my name to something more
androgynous at fifteen, it took another four years for me to realize my true
identity. On the day before my nineteenth birthday, I came out to my
family. A month later, I started hormone replacement therapy.
Gender transition is physically and mentally demanding. Over the
past three years, I’ve injected myself with testosterone while being afraid of
needles; applied, reapplied, and removed tape from my chest; gotten top
surgery; and more. Even looking at your body early in transition can be a
struggle- it doesn’t align with what you know it should, which is distressing.
It took a long time and a lot of work for me to feel comfortable doing
self-portraits, let alone nudes. Though difficult, I believe that getting to
partake in your own creation is a truly beautiful thing.
This country is not kind to trans people, and it’s often scary. One of
my goals with these paintings is to give a glimpse of the person behind the
identity. I understand that a lot of people don’t know what a trans person
looks like, or even what “transgender” truly means. Though every transition
is wildly different, I hope that this body of work can help people understand
and perhaps feel some sympathy for the difficulty of the journey, one that is
made no easier by the ever record-breaking numbers of anti-trans
legislation being proposed.
My art practice allows me to take shelter from the world and sort
through difficult and confusing emotions. My paintings start messy and
loose, with splattered acrylics and inks for a background. These
backgrounds are the primary expression of the emotions related to the
imagery, and are truly cathartic to create. I almost always use bright and
intensely contrasting colors in my work. My usage of colors is often
backwards from their typical “meanings”, with warmer colors usually
representing pain or distress, while cooler tones imply a certain calmness or
happiness. Figures are left intentionally translucent to convey a passage of
time, as well as the ever-changing nature of the body.
I hope this autobiography brings you a deeper understanding of what
it means to be transgender, perhaps even what it feels like. Trans people
truly need your support more than ever at this moment in history.